The good old days

As I write my father is in an operating theatre having a pacemaker fitted. I’m a little worried of course, but I know it’s a straightforward operation, and promises him a new lease of life. He’s 83 and for much of the last year has been struggling to catch his breath, increasingly incapable of any exertion. He was diagnosed with an enlarged heart, which they have already treated successfully with drugs. The pacemaker should be the last step towards a full recovery.

He’s been lucky. He’s smoked heavily since he was a teenager, drunk too much, eats what he wants and hasn’t done any formal exercise since he finished his National Service. And yet this is the first bout of serious illness he’s suffered in his life.

Maybe it helps that he hasn’t worked for thirty years. He was the deputy borough architect in Medway when Margaret Thatcher decided local authorities didn’t need any retained expertise in building design, and so was made redundant. He had a good pension and has lived on it ever since.

It can be hard watching a parent age. About twenty five years ago after the end of his second marriage Dad became depressed and suffered panic attacks. He’d come to visit us in London and had an attack just after we’d all gone to bed. He was sitting on the edge of the bed in his underpants, struggling to breathe. It was the first time I’d seen him looking vulnerable, and the shock of it is vivid to me even now.

Still he’s kept his good looks. He’s shrunk a bit, his hair thinner and white, but he’s slim and is instantly recognisable from his younger self. He came to see me last week (he’s still very mobile) and though his heart problem meant there was little point in going to the pub to drink beer (he can only consume a litre and a half of liquid in a day) we stayed up late as usual, drinking brandy, arguing about unimportant things.

Age creeps up on you. Like most people who’ve ever got this far I don’t feel much different from the way I was in my 20s. My eyesight has deteriorated, my hair gone grey, and a knackered knee has stopped me running, but otherwise I feel ok. It’s only when you look around that you realise that life is filling up in your wake, that the ads built around stories of young families and nest building represent a stage you’ve already passed through.

Courtesy of my long time friend Emma on Facebook yesterday I watched a music video featuring an 89 year old Dick Van Dyke dancing vigorously, trying to coax his 43 year old wife from the stove to join him (which she does). I went through a predictable gamut of responses, thinking he looked great, that it was heartening to see his refusal to slow down, wondering what a woman 46 years younger was doing with him.

Such responses reflect an uncomfortable conjunction of realism and prejudice, prejudices that we should all be letting go (me included). Although male film stars frequently have much younger partners we tend to assume that the attraction of power and money probably has something to do with it. Moreover, when younger people marry the very old we will assume (with some reason) that they’re looking forward to the reading of the will. I went on to read an interview with the newish Mrs Van Dyke, and she told a different, convincing story. Though I was never a fan of his screen persona (least of all in Mary Poppins) seeing Dick Van Dyke in the video, like my father still very recognisable from his younger self, it was easy to believe he could still be charming and delightful, and that she might simply have fallen in love with him.

At one point in the interview a different sadder reality kicked back in. She spoke of her hope that her husband might live to be 110, but in truth every year they have together now has to be counted a bonus. Perhaps he could last another ten years, but it’s more likely he won’t.

When you’re young it’s natural to fear death. It seems remote, impossible even. Age can bring some consolation here, especially if you have children and they themselves have grown to maturity, a feeling of the biological job being done. Death becomes a more reasonable presence in our lives. All the same I suspect that one of the defining differences between my current middle age and older age is that death moves from being an increased possibility to become an ever-present probability, a probability you have to learn to live with.

The possibility forces itself on you. As a teenager there were a few contemporaries around me who died, killed in accidents or in one case by illness. But these things register as exceptional, freakish even. Last week I learned my old BT mate Alan Brough had died from oesophageal cancer. He was only a few years older than me, and though I can tell myself that he smoked a lot, while I never have, I know in reality that this kind of fatal illness is no longer freakish in my age group.

We need realism. Patterns of mortality might have changed in the developed nations, but they still define the arc of our lives in one way or another, and it’s good if we can adapt to the changes brought by age with dignity. But we also need to acknowledge how much has changed, and look critically at the prejudices about ageing that are themselves unrealistic or misplaced.

We are living longer lives in good health. The median age has moved upwards. This has happened in the space of a generation so perhaps it’s not surprising that cultural attitudes have not kept pace. We still live in a culture that routinely venerates youth and undervalues experience. There are better ways of looking at all of life’s stages. Finding new pleasures in maturity, as I have with music performance, cannot sensibly be understood as a mid-life crisis (I’m a much better player now than I was in teenage bands). We need a corresponding shift in our attitudes to working lives (I’ve written about this at greater length here), and for the sake of our general well being we need to enjoy whatever we can do, for as long as we can do it. Perhaps the Van Dykes’ marriage will prove a relatively short one, but dear God if you’re lucky enough to find love you have to take it for all it can be.

I’ll end this with the lyrics to a song I wrote last year. Its roots are in an Irish air I’ve known since my teens, a lovely melody called The Lark in the Clear Air. The title inspired the words, though they demanded a different complementary tune, which I duly wrote. My father hated most of the music his teenage children brought into the house, but he liked this Irish stuff, perhaps because it spoke to him of his own childhood and he would whistle the Lark melody as he went about his chores.

When I was just a dreaming child
I’d rise with the light, the warming air
I felt as clear as the brightening day
Untouched by doubt or faith’s despair.
Older now I hold my ground
The earth beneath my freckled hands
The sky still hangs like hope above
The dream of distant untouched lands.

A bird can rise and sing, its song
Is not like words but beating wings
It comes from something out of mind
The call of unimagined things.
And now I know I’ll never fly
Will never reach what seemed so near
It’s only time that beat me down.
As feathers thicken the falling air.

In my dreams if I clenched my thoughts
Shut out the world, and closed my eyes
My feet would leave the earth
Breathing the skies.

I don’t suppose he’ll ever read this because he doesn’t do computers, but I’ll dedicate it to him now with love: be well again Dad.



  1. I’ve listened to your ‘Lark’ poem many times in performance but seeing it on the page in this context gives it a clearer meaning. I can confirm that the ageing process involves coming to terms with the finite if indeterminate nature of life and a corresponding need to focus on what is important. Unfortunately combined for most of us with a subtle reduction of energy, leaving the sense of urgency somewhat underpowered. (This can involve becoming a pain in the arse.) I have (very) recently realised it also involves keeping a very close eye on one’s choices, priorities and as clear a personal agenda as possible. Your article has caught me at just that time, so Thankyou Paul. We may indeed never fly but we can make a very good fist of getting as close to it as possible. I hope you are enjoying our shared efforts as much as I am.

  2. Thanks Phil – and yes I’m certainly enjoying the collaboration. I did write The Lark as a song rather than a poem… although it’s carefully wrought I always had a melody in mind and that’s influenced the way I’ve put it together, but I hope it works whichever way you experience it.

  3. What an insightful and moving piece Paul – I particularly like the Lark in the Clean Air. I have become acutely aware of my own ageing recently, despite a large range of activities in my life (motorbiking, music etc.) that more than a few of my peers consider to be evidence of mid-life crisis. My usual response is to note that if this is mid-life it means I am going to live to be 100 years old – followed by the sad realisation that this is extraordinarily unlikely. Knowing that one has probably lived more than half one’s life is in some ways disturbing, but in others comforting – I am not sure I could go through all this again! The idea of “the biological job being done” is not quite so available to me yet as my youngest is still only 11 years old, but I undoubtedly find myself tending to rely on wisdom (relative) and patience rather than the energy and passion I relied upon in my youth.

    I share the experience of watching my parents growing older and more vulnerable. Give my regards to your father and I wish him a speedy recovery.

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